When watching the runway shows as a fashion writer perhaps the first thing one looks at or tries to discover are the different signatures of the designer and the house, and the specific signature of the collection. What sets this collection apart from others? How does this brand express itself uniquely? Of course the devil, like so often, will be in the details.

But not so with Canali. For Canali, at least in this collection, has appropriated the color canary yellow unabashedly. It’s flaunted, and not served discretely–like we so often see with many shades of burgundy or green, in both the accessories and the menswear, probably because there is no hiding from this stark of a primary color on the spectrum. And one color in a collection is often enough, especially in winter, so that the other colors during the Canali show inevitably strayed from grey, back to black and white, the latter often in manila making it softer on the eyes after or before the yellow spankings that the eye would take in the midst of the dark of winter.

But that was not the only signature which was evident and on display during the show, because between the different motifs and patterns of the winter collection lurked one indelible and bare thread: An ubiquitous stripe or line, composed in different paths, tunnels, and canals–in different widths–sometimes even forming a checkered group of blocks–in abstracts–as if appropriate for the various concepts worthy of the architecture of a modern building. Canali clearly is composed and designed not just for style, but for the sake of art for art. It gives an extra touch which goes above and beyond the mere sartorial and which makes it, in combination with the colors, so very pleasant to the eye. There is a looseness and happiness about it, which would do any dark winter well – as if casualness were to be given its name in the expectation of spring to come.

Thus this collection blends the formal and the informal, the traditional and the modern, by using only two different signatures – with sweaters, jackets, and coats as outerwear in premium materials like cashmere and with some unique detailing done in braiding: A playful and pleasant collection it is indeed as opposed to all the dark colors and shades we usually get to see on the runways during winter.  Quo vadis uomo?  Man, where do you go when you wear Canali?

The lightness and the pleasantness of this grand winter collection makes BDMOTP chose for Nice, France on the place Garibaldi in front of the grand hotel. Not because the Méditerranée is very close or because the soft Mistral wind, even in winter, will come your way – of course this helps, yes, living on the Côte d’Azur–but no, the reason is that against the marvelous colors of the buildings in Nice that you could perfectly blend in so as to always go in complete discretion: Canali yellow, for the man in winter whom no darkness needs!

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Posted by Sandro Joo and photos by Paloma Canseco.

This proved one unexpected and impressive show at Milan Uomo: Pal Zileri after the BDMOTP team got lost in the cold in the industrial outskirts of Milan, where we expected a simple presentation but where we were met head-on in a grand rebuild industrial loft equipped with the latest cutting edge sartorial technology – it’s hard to describe really but suffice to say it was a hybrid of a fashion show / presentation where the models were standing behind solid white screens (look closely at the pictures below) which become transparent depending on the light that is being projected in the room behind making the models visible while they are gently turning around on their axis on a small pedestal: Only in Italy of course – the home of Michelangelo’s David, Bernini’s Madonna and other great works of sculpted art, would you come to find and expect such latter day Renaissance ‘camera obscura’ technology –  and sartorial art form – functioning as, according to the press release, a symbolic bridge between the present and the future.

The contrast between the dank, cold, and damp industrial city outskirts and the inside of the showroom could not have been greater and a large host of invitees gratefully conversed and discussed while the show repeated and repeated every 20 minutes until every guest could have its say, every photographer his best shot, and each lover of fashion his or her favorite look of the new Pal Zileri collection while peering into the void through the screens.

Pal Zileri is a “democratic” tailoring group in that its collections are designed FOR ALL (the name of the original company) and has a tradition which goes back to 1970 and the Italian province of Vicenza. Every quality garment is entirely produced in Italy and the new collection has the ambition to merge the concept of avant-garde with traditional sartorial craftsmanship: AVANT – CRAFT, an international contemporary approach in a time-honored tradition. The press release mentions as key words for characterization of the collection: Nonchalance, elegance, synthesis, modularity, and function.

But BDMOTP would like to add the word class to that mix despite Pal Zileri’s democratic roots. For simply everything and anything sartorial in Italy always oozes class. Especially when standing like Michelangelo’s David on pedestals behind white transparent screens while slowly turning and slowly adjusting their brick red leather gloves; a hounds tooth pattern on your alpaca sweater; your leather or angora overcoat loosely hanging over your shoulders; your hair swinging with a casual drop of the shoulder from right to left in front of your face as you gaze over your shoulder to see if a Vespa is not running your way here on the industrial outskirts of town in Milano so that maybe you can hitch a lucky ride back into the city center towards the Duomo – because cars have trouble getting here – and even getting out of here – so that you have no choice but to bring that cashmere scarf – by Pal Zileri – against the cold and the wind while riding the back of the Vespa, no not democratic at all any of this, except that anyone who really wants to, can do this – YOU TOO can have that touch of Italian class democracy, when you will be wearing Pal Zileri

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Posted by Sandro Joo and photos by Paloma Canseco.

At Angelo Galasso in Milan, London, Moscow, or New York, you do not find things for ordinary mortals:  These are the collections made UNICO (uniquely) for men which you will remember from made for star-spangled movie sets, for billionaires, for royalty, for celebrities, or for any other man who has the moral courage and the wherewithal to UNICO (uniquely) stand out from others.  The items in the Angelo Galasso collections go beyond the individual and the personalized, frankly speaking, they reach for the stars.

Here is a sample of some of the exceptional things to expect:

  • Old sewing machine stitching which allows for 10 stiches per centimeter rather than 7
  • Horizontal buttonholes to streamline your looks
  • Sewn in collar stiffeners
  • Vivid flamboyancy in magic & vibrant colors on the spectrum
  • The recurring hexagon Angelo Galasso signature
  • The Polso Orologio concept which leaves room inside your shirt to wear your watch
  • Traditional patterns in unusual places (hounds-tooth suede shoes anyone?)
  • The recurring dragooned and beautiful Angelo Galasso logo
  • Internal & strengthened cotton linings
  • Unexpected applications of different leathers (snake, crocodile, ostrich) laid into the fabrics

And that is just a sample and a beginning of the uniqueness of the collections.  These museum pieces (quite literally as some of Angelo’s concepts are in museums) are collector pieces each and every one and as shirts are concerned are entirely made by hand.  Most pieces are fit for a modern or a more traditional prince.  They really do not need much showing or advertising because beautiful things of this quality will attract its very own clientele at the appropriate time and place.  Word to mouth suffices and perhaps therefore the less we say in this small article the better that it is.  Let the pictures in this speak for themselves.

Angelo Galasso has a surprisingly large range of menswear in view of the unique quality and value that is offered.  Shirts, shirts, shirts, the most incredible baroque jackets and costumes, shoes, but also jeans and outerwear adorned with a real magic touch.  Again, the whole range goes beyond the personal and the individual because each precious item is UNICO (unique).

When BDMOTP visited the showroom in Milan on the Corso Matteotti, the fall / winter collection was on full display and we studied Angelo’s latest trends as we were given a guided tour.  We marveled at the creations at hand and learned that the theme of the collection is one of ‘Metropolitan Empire’.  But then all of a sudden Angelo himself was there, and perhaps that we should have asked him about being voted Best Dressed Man by GQ in 2013 ahead of David Beckham and Daniel Craig, but instead we asked him about what was his inspiration for the dragon in his famous AG logo – it was the question for the one moment of the one opportunity.

It turns out that Angelo had a recurring and recurring dream about a dragon as a boy which later inspired him to go into tailoring and clothing design.  And so, Angelo Galasso design & clothes for men:  Enter the dragon!  Go visit at your own peril …

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Posted by Sandro Joo and photos by Paloma Canseco

If Ali Baba indeed once had a treasure, you would probably find it here at this quite magnificent palazzo in Milan where Bertoni 1949 is showing us their latest collection, with the one distinction that the 40 thieves would not know where to look or what to find because the treasure itself is all that which has as a purpose to hold hold and protect things beautiful:  Trunks, bags, cases, boxes, holders, folders, and anything else that can hold something precious, special or personal is on display in the marbled and tapestried galleries here in the Valigeria (a house of suitcases) Bertoni 1949 Varese (from Varese) in Milan on the Via Bigli in the heart of the Montenapoleone district.

A checkered floor in black and white marble through a columned portico welcomes us to introduce the latest autumn / winter heritage collection of trunks and coffres based on the theme of the ‘American dream’. We are entering the house of treasures. On the one side stands an array of trunks in the fashion & style of Jackson Pollock the spotted trunk parchments representing the graffiti-strewn workman’s tables of the house itself – all those many hours of work having left their spots and stains in the same way Pollock left his mark indelible – a workman’s signature and homage all in one.  On the other side in classic white we find Navajo motives so recognizable in its simplicity and beauty of form in red and black:  These are the ultimate nomad trunks of course – for those who do not travel just for luxury or in style – but also for the sake of adventure.

Yet in this large treasure room of trunks the smallest item is the masterpiece. It’s been the hottest item around in the realm of trunks, cases, and handbags for a while now, only celebrities spotted with it (and to BDMOTP’s knowledge not one single man as of yet), Delphine Arnault probably the first one to have ever carried one in public, and higher in demand than a Gucci baseball cap at discount during Christmas time:  The mini-briefcase slash handbag, that locked and buckled petite malle bag as treasure trunk – une minaudière de l‘exception, Bertoni’s all in white, with three black stripes, and a Navajo red cross.

Upstairs, with renaissance tapestries as the backdrop, we find the hand bag & case collections, some structured, some foldable, one bag yet more beautiful and better made than the next.  All is hand stitched and marca punto (stich marked), leathers range from croc and alligator to French calf and goat parchment, all is beautiful, all is (very) well made, and all is available – which is a miracle in its own right.  These are unisex items and they should be because at this level of quality manufacturing & luxury differences between peoples seem to dissipate and slowly blend into the horizon.

Bertoni 1949:  A treasure house of that which treasure may hold!

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Posted by Sandro Joo and photos by Paloma Canseco

The Milan Uomo AW15 Massimo Piombo collection was all about heavy, warm outerwear. Luxurious fabrics like Hungarian baby alpaca, Mongolian cashmere, Scottish mohair and old Austrian rammand virgin wool were used to create soft and warm garments, but also give off an air of elegance.

Plaids and tweads were prevalent throughout the collection, and even mixing unmatched plaids, such as a scarf of one style plaid and a jacket of another plaid pattern was a trend forthcoming for the coming season.

Heavy scarves, floor-length, in fact, one could even call them capes, shawls or blankets were included with the collection, assuring not a single Massimo Piombo fan will catch a cold this winter.

Bold colors such as hot pink, purple or bright orange were toned against the typical browns, blacks and navy of winter, giving the collection a vibrant pick up. A classic Scottish warmth came through mixed with that Italian elegance, and that, my friends, is Massimo Piombo.

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Posted by Lori Zaino and photos by Paloma Canseco.

The style of Caruso is very precious, very sartorial – and only the best of men go clothed in it – because you need a certain degree of appreciation of what means elegance, tradition, and style in men’s clothing before you will discover it. Where does this come from we may ask, that a real gentleman is suited for Caruso and Caruso suited for real gentlemen? Is there something in the motto of the tailoring house ‘In Menswear do as the Italians do’ perhaps that would lead us to this conclusion?

Well of course there is the Italian part, because indeed Caruso has the grand Italian tradition of the small family tailoring and clothing manufacturing business which started somewhere on the Italian country side (in this case near Parma) many years ago (in this case 1958) who then made it through relentless competition to the top of the industry by offering superior quality clothing manufacturing to its customers in grand cosmopolitan centers like Milan or New York. Today Caruso has 600 employees and the brand is recognized worldwide.

But there is more, and this may very well be the secret to the success in that today Caruso is so highly regarded with men who truly like to go in excellent traditional Italian style, in an excellent most perfect Italian fit, and with a most outstanding tailoring manufacturer as far as quality is concerned, because Caruso before it was a brand used to make clothes not for customers but for high quality retailers.  And THIS is precisely the difference with other brands, because the brand Caruso before it came on its own (it is now listed on the stock market and has investors from around the world and specifically from China) tailored not just for individuals but mostly for large well-to-do and well-known international luxury goods companies – which inevitably meant a grand variety of assignments, not just in one style, but in many styles, which undoubtedly must have given the competitive edge and economies of scale over houses which only tailored to their own (style).

This unique experience is what BDMOTP thinks makes Caruso so unique and so universally acceptable for men who seek class in clothing, because when being shown around the premises on Day II in Milan FW for the new collections all traditional menswear classics appeared, including a large selection of capes for men, waistcoats, and even that ultimo retro classic – the stove-pipe pair of trousers. There is something magic about a collection which seems so natural in style & class and it must have been all that accumulated experience over the years of working for the best of the best companies around the world in various assignments which has made Caruso special as a brand.

There is a great attention to detail and a great love for clothing and tailoring in the work of all collections, while maintaining that impeccable Italian fit for men at all times.  Or, to put it in the words of executive director Umberto Angeloni:

“A Caruso suit exudes neither ostentation nor trendiness; it reflects man’s current body (athletic lean) while maintaining comfort in the cut.”

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Posted by Sandro Joo and photos by Paloma Canseco.

In the morning of Day II at Milan fashion week the BDMOTP team visited Santoni on the via Montenapoleone, a street in Milan which is to men’s fashion and style what Beale street in Memphis TN is to blues music, and indeed got the full Monte in that we were given a grand tour of the spacious premises located on the second floor above what must have been yet another palazzo – a tour not easy to forget, for what makes Santoni so impressive is not just the incredible array of leathers, materials, shapes, styles, forms in shoes and other (mostly) men’s footwear used, no, what makes this unique brand grander than any other shoe store around (only Berluti may be comparable but then only in quality but not in variety) is that all the myriad types of collections present from showroom to showroom from display to display are all – and without exception – are made and finished with the highest possible quality which you will be able to find anywhere.  It is therefore not just the variety of the collections or the high quality itself, but the veritable royal & voluptuous abundance of high quality which makes Santoni so rare.

At Santoni, le roi c’est moi!

Fox-fur covered moonboots; a flat folding Derby; red, yellow, and blue crocodile loafers; penthouse slippers; triple-buckled riding boots made to fit a Machiavellian prince; knee-high buckle-strapped sandals; spiked ankle-high ghetto boots; many traditional classics, classics, classics with loads of elegance; satin strings on color-faded city walkers: What we find here at Santoni and what we are shown with much love and passion by the proud makers & sales personnel is an incredible collection of footwear which can only be described as baroque or rococo in its abundance & variety and to which no set of pictures we take – no matter how beautiful – will do poetic justice.

Santoni has 500 employees and most of whom are creative artisans & craftsmen working daily from a traditional production facility located in the provinces of the middle of Italy, and has stores in Milan, Rome, Cannes, St. Moritz, Tokyo, Beijing, Guangzhou, Dong Guan, Shanghai, Doha, Moscow, and, indeed, Baku.  Santoni works in cooperation with a famous car company on the luxury finishing of car interiors as well as with a luxury watchmaker on watch bands. As for price the different collections come in three different ranges: affordable, high-end, and a category which BDMOTP will qualify here as Special!

For the man who loves a high design quality shoe, and who cannot find the type of shoe that he is looking for anywhere else, the Via Montenapoleone in Milano today is calling you. Please let it be known that Santoni is not just worth one trip or one visit as a luxury destination if you would go today, but that Santoni will be a place which you will visit time and again for the rest of your life – because these shoes will wear on you and once they are yours, you are guaranteed to come back to Milano to have them remade, tailored, or changed, or replaced.

In fact, shoes are more personal than cars. So if you are the type who only trusts one good and old car dealer where you have been for the longest time ever since you can remember, then you will be safe coming to Santoni in Milano knowing that this new relationship will not end any time soon.

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Posted  by Sandro Joo and photos by Paloma Canseco.

This Neopolitan brand Kiton dates back to 1968, and continues headstrong into AW15 with a beautiful, elegant collection. The Milan Uomo AW15 line, reminiscent of Downton Abbey with it’s structured, formal lines, double breasted lapels and pea coats is launched into the 21st century by way of layers, layers and more layers. Combing British tailoring with Italian class, the strong lines and warm materials like tweed and wool will wear well for winter. In addition to gorgeous garments, Kiton presents the “Milletrecento Mani” (which means thirteen hundred hands in English), a photo exhibit dedicated to many years of Italian fashion.

Plaid has a strong presence in the collection, and pops of bright purple, evergreen, velvet and pink make the collection stand out from the usual black-and-brown basic fall color palette. I predict, after seeing the London and Milan menswear collection, that we will enter Autumn of 2015 filled with color, adding a little excitement to this next season of colder weather.

Not sure where to find Kiton? Never fear, as they have recent and coming openings in Macau, Chengdu, Zurich, Houston and San Francisco, clearly targeting the Asian and US markets.

BDMOTP favorite: Blue and white tweed overcoat

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Posted by Lori Zaino and photos by Paloma Canseco.

The year is 802,701 AD – the 8,028th century – and life as we know it has seriously devolved, regressed, if not warped into something entirely un-recognizable : It is the grand premise of the old novel by H.G. Wells called The Time Machine, in which a protagonist travels to a distant future searching for – what else – love! When he arrives he finds that the earth has changed into the Garden of Eden where everyone lives in peace and happiness except for that somewhere amidst the flowers and the fruit trees there stands a gigantic monolithic anomaly – the Morlock Sphinx – a giant face with an ominous expression and peering eyes in the middle of a lush and serene landscape from which the peaceful denizens of a future Elysium shy away from casting as much as a single look for some mysterious and strange reason.  And this is where an eerie story about Philipp Plein Men’s AW 15/16 starts, for unbeknownst to all deep beneath a far distant future hollow earth there dwells a distorted & menacing but humanoid lurking danger – creatures who cannot stand the sun and who shy away from the clear light of day…

The creatures in this story from 1895 are called Morlocks and because the description of what is presented in this old book so uncannily resembles the themes and stage of the Phillip Plein show (themed Warriors), we’ll give you the Wikipedia entry:

Morlocks are a fictional species created by H. G. Wells for his 1895 novel, The Time Machine who dwell in the world of AD 802,701 in a troglodyte civilization, maintaining ancient machines that they may or may not remember how to build. Their only access to the surface world is through a series of well structures that dot the countryside of future England. Morlocks are troglo-faunal humanoid creatures, said to have descended from humans, but by the 8,028th century have evolved into a completely different species, said to be better suited to their subterranean habitat.

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And so it goes expressed as in one single paragraph on the Phillip Plein runway on this dark & damp Saturday winter night in Milano, where everyone is trying to get in except the pope: So for fashion’s sake let’s call the PP warriors Warlocks instead of Morlocks, those dark & menacing underground creations are all slowly paraded – or should we say romped & slumped – out of the gaping mouth of a large black monolithic feline idol – the Morlock Sphinx – with one thousand guests present seated 7 rows high in a hexagon cage fighting arena and called into worshipping and venerating the idol silently waiting for sacrifices to come as a perpetual and incessant droning of 4 morose repetitive tones appears to warn of imminent danger.

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With this ambiance in mind here is what then follows during, before, and after the show in rapid succession:

  • Italian fashion icons Franca Sozzani (fashion executive) & Anna dello Russo (fashion journalist) show up on Front Row.
  • Followed by Italy’s most ‘famous’ self-promotion power-blogger Chiara Ferragni who shows she likes the attention of cameras by parading up and down front row for all who care to see (who is she again?).
  • Who is then subsequently most marvelously upstaged by no one less than Paris Hilton who is, surprise, surprise – a little camera shy, as she tries to go unnoticed in the crowd on the second row, but who now ‘reluctantly’ decides to oblige a swarm of un-expecting paparazzi by slowly standing up and offering everyone a short glimpse of her beautiful self (she looked a little tired but handled it marvelously) as she accepts catcalls coming from the crowd in broken English: ‘I love you Paris!’
  • A flickering fast lightshow then introduces the lowering of a cage from the ceiling around the ring while the eyes of the Morlock Sphinx menacingly start to follow the crowd with two searching torch lights.
  • Now the show begins with a ringmaster in the fighter cage introducing two ultimate fighting type warriors (UFC style) who begin to do battle surrounded by– not again but aye – several blonde ring girls dressed in black and wearing eye-straps holding up points scored for each landed punch.
  • Followed by the introduction of – yay – Snoop Dogg who after performing a great version of Snoop Dogg Who Am I disappears again.
  • Then and only then Philipp Plein’s grand collection of Warlocks – in plain ornate warrior collection and dress (it is the theme of the show) – slowly start rolling out of the mouth of the giant idol morbidly plodding around the cage fighting ring to the classic sounds of Johann StraussBlue Danube Waltz.
  • Which’ friendly sounds and tones are then interchangeably replaced and alternated by the dark sound of black barreled war drums played by drummer warlocks dressed and body-painted as aboriginal Australian warriors (or as latter day Kiss-loving-glam rock fans) all standing around the fighting cage ring and ready to do battle.
  • Until…

Yes, until what exactly? Because the ring show is so overwhelming that it not just takes away from the viewer’s focus and appreciation of an otherwise very interesting collection, but that it actually leads to the collection itself being marginalized to a point of no return of interest for fashion – as Snoop Dogg is now coming in for an encore and as two VJ turn tables are lowered from the ceiling into the cage fighting ring for two VJ’s to do ‘battle’. Yay, and BOOM fireworks and pyrotechnics!

Continuous battle continues! Everything battles in this show. Paris tangles with the girl from The Blonde Salad and it is no contest. The ringmaster battles with the crowd and loses it completely. The warlock models do battle with their own show and seem on the losing end. Snoop Dogg does not need to do battle because many people are probably here to see Snoop Dogg – just fine – first and the collection only second – and maybe rightfully so because he is great. The only two real fighters are in the ring but are fighting a faux battle, a first fight at 50 percent and the next fight at 60 percent. They never really fight. The blonde black laced & styled dancing & prancing girls are battling each other for attention. The warlock drummers are awfully good and win the crowd as the crowd gazes away from the warlock models.

Yet there are three warlock models whose image is powerful enough to manage to break through the mold of the show:

  • an intimidating dressed-in-leather-and-black Mogadorian (yes look it up) who carries a black baseball bat menacingly in his right hand – his mullet showing us that he means business and that it is better to never meet his type on the street
  • two model–warriors wearing spiked Mad Max helmets – the old gladiator look but styled towards a post–apocalyptic future set decidedly in 802,701 AD
  • another warlock model in black and white showing a mixed-media version of a traditional American Football outfit (which of course includes different forms of padding and protection – another signature of the fashion part of the show)

But for the rest the poor models are getting buried (to stick with the vernacular) in the grand battle royal which is this gem of – what is supposed to be – a FASHION show. Such an interesting and daring collection but no match for the pyrotechnics shooting up to the ceiling from the rafters and from the top of the cage. No vest nor handle – pun intended – on the two ultimate fighting champs. Probably getting only a few glimpses from Paris on row two. The only thing that wins out in the end here is a twilight of the idols.

Thus the Philipp Plein show notes state that his men’s collection ‘mirrors the adrenaline-fueled aesthetic of the challenges that men face nowadays’. But make that rather benzene – not adrenaline – as Rammstein would have it – or kerosene as in rocket fuel – or perhaps even glycerine: A nitroglycerine-fueled aesthetic anyone? Who likes to carry a black baseball bat around in the hood?  Hghn!? A spiked Mad Max mask maybe? A roller-ball football outfit in black & white?

Let’s hope BDMOTP doesn’t get – pun intended – blacklisted from the next show for writing this scathing article, because the show was absolutely great – but just too much over the top in order to do real justice to the quality and creativity of the collection. It’s sad because the fashion creations by Philipp Plein – including and not limited to the manifold marvelous materials that were used – were most definitely worthy of study and observation in more detail – had we been given a chance.

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But no offence is taken and all is forgiven – tout est pardonné – because BDMOTP, in order to cover this show, crossed the Alps from a sad Paris still in shock from violent events earlier this month, to a happy, peaceful, and dancing Milano partying in grand style so that we do not only feel privileged & grateful to have witnessed this quite wonderful underground presence – a descent à l’enfer – of a dark, brooding, and morose group of warlocks, lead by Snoop Dogg & conceived by Philippe Plein for a grandioso show and a reverse-slam-dunk after-party: No, we feel very lucky!

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Posted by Sandro Joo and photos by Paloma Canseco.

Day 1 of Milan Uomo fashion week and for a first showroom presentation we are visiting a flagship store opening of Caruso, home to some of the best and finest men’s suits that this world has to offer. And for this you have to come all the way to what very well may be the world’s epicenter of stores best equipped and suited for great men’s fashion:  the Via Gesu in Milano! This is where classic Italian elegance for men meets great style and great tailoring.  It’s that secret haven for men you somehow always knew that existed somewhere but from which you never knew where it was. So come on and take a trip to Milano and find out for yourself now that you know where it is.  And visit Caruso, because you will not be disappointed if you are looking for the best of style & class that Italian menswear has to offer.

Caruso’s new store is a concept store which actually allows for a man’s very own performance in the grand old tradition of the Italian theatre and opera. For all of life is a stage and every day that passes we are want to stand on it – but this will not be possible without great clothes and some good style – if you are a man. So very ingeniously the Caruso concept store in Milan features a build–in theatre & opera house – but in reverse, where YOU are the protagonist because you are given the view not from the theatre hall onto the stage but from backstage through the curtains into the grand hall itself where all people are sitting and staring in your direction. It is the place indeed where every self-respecting man understands he needs to be if he wants to be successful as a gentleman in life. Right behind the stage ready to enter and get a piece of the action of the grand opera which is life eternal, not in hiding, but right there where action is no longer avoidable, where you will need your best dressed suit when everybody will be watching you as the curtains are slowly opening up. Backstage – before the opening of the Act:  A place for real men only!  At Caruso’s in Milan.  A marvelous concept indeed and perfectly fitting for the style and elegance that Caruso represents.

As for the Caruso style and menswear itself, a later article will follow this one, as BDMOTP visited the Caruso showroom presentation at another location the following day. But safe to say for now that Caruso also has a store in New York, on 45 East 58th street, if you cannot make the trip to Milan any time soon.

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Posted by Sandro Joo and photos by Paloma Canseco.

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