The MBFW Madrid: Jesus Lorenzo collection only showed four menswear looks, but they certainly were “wow” looks. As Lorenzo specializes in fur and leather, the AW15/16 collection entitled “Natural Look” was bound to scream luxury, and that it did.

The history of fur in Spain is a lengthy one. Both the young and old invest in a good fur coat, and these days, fur is trending everywhere, in hats, gloves, scarves, detailing and  more. And of course, leather never goes out of style. No one in Spain worries about animal cruelty or any of those things that those in the United States rave on about and where I’ll back away from any personal fur political commentaries, it’s important to know that wearing fur is simply part of the European culture.

But men? Can men wear fur? Will they look silly, or overdone? According to Jesus Lorenzo’s collection, my firm answer is that men can most definitely wear fur.

Now, Lorenzo gives men some options. If you are feeling confident about your fur, and want to dive right in, or live in say, Siberia (or Chicago) where it’s quite cold, a large and luxurious fur coat or even a fur cape for a dressy evening out would be appropriate. If going head-to-toe in fur is just too nerve racking for you, you can always just add touches. Fur is appearing everywhere these days, on hoods, hats, scarves and even gloves. Jesus Lorenzo showed a plump, soft looking scarf paired with a leather jacket that would be perfect for man to start with fur. It’s just a little Fur 101.

If fur just isn’t your thing, don’t worry, because leather can be considered much more masculine (just think of all those Harley motorcycle dudes that sport leather all the time) and you can again, go all out with say, an orange leather jacket, or just add it touches, like a cool pair of leather driving gloves or leather trim on a wool coat.

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Photos and post by Lori Zaino.

The MBFW Madrid: Ana Locking collection was entitled “Doppleganger.” The word comes from German orgins and is used to describe someone that looks like someone else.  I’ve read more than once that apparently EVERYONE in the world has a look-a-like (doppleganger), but who knows if that’s really the case.

Ana Locking played on the idea that not only does everyone “have” a doppelganger, but that everyone wants to look like someone else and people are just imposters, trying so very hard to be like other people.

The idea of making a collection where people strive to look like others is an interesting one. I mean, they say you are what you wear…so if you dress for the person you want to be, does that mean you really are that person? Deep questions for a Wednesday morning, I know!

The menswear in the show was a perfect combination of wearable and dapper (suits and warm jackets) mixed with a vintage, 70’s carefree trend (this is the man the office guy dreams to be).

The fabrics and colors were juxtaposed (probably to reflect the doppelganger concept) with flashy, fun fabrics faux-fox hair, yak hair, and glossy silks in bold turquoise and mustard with muted wool browns giving off this office-by-day, worldly-gentleman-by-night vibe.

Funky detailed additions like tri-color faux fur mittens, hats and hoods, turquoise man-totes, and sunglasses added that extra bit of sparkle to the collection. Perfect for the man who loves himself but also wants to live vicariously through his doppleganger in another world.

BDMOTP favorite: oxblood suit

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Posted by Lori Zaino and photos by Paloma Canseco.

 

The MBFW Madrid: Ion Fitz collection  Apres Ski had a major geometric theme. Pops of evergreen and pastel pink dotted the garmets and many a luxury fabric prevailed, such as fur, cashmere, wool, silk and even mohair.

The collection did have a significant winter weather theme. Balls of yarn and fabric were sewn onto many of the clothes as if to represent a winter wonderland of snow.

The name Apres Ski leads us the belive the collection will be sporty, but really elegance was the name of the game here. Evening wear and professional looks prevailed, however the looks were autumn and winter appropriate, and touches of fur were beautifully placed (*see above snowflake reference). Again, we see the appearance of the man-skirt, which we’ve come across quite a bit this season, most recently in Madrid at the davidelfin and Francis Montesinos runway shows. Touches of tweed also “winterize” the collection.

Fitz describes the collection as being for an ” urban dandy” type, which I feel is definitely the vibe that comes accross. The men wearing Fitz are classic with a trendy twist, and always want to be kept warm during the cold winter. However, one need not be a skier to wear Fitz. One must just need to be sophisticated.

BDMOTP favorite: silk evergreen suit

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Posted by Lori Zaino and photos by Paloma Canseco.

The MBFW Madrid: Francis Montesinos AW15/16 collection was filled with vibrant color, which will make for a grand sendoff if the social media rumors are true, that this may be Francis Montesino´s last catwalk before he retires. As usual, the scene was set with a backdrop of bright flowers and decorations, and there was life music included in the show, making it truly a ¨show.¨ Nayala Brown, a singer who often performs at Supermartxe and other Ibiza-style clubs, delighted fans in belting along to her soundtrack as the models walked the runway.

Beautiful, flowing womenswear accompanied men in floral, bright colors, and even colors typically clashing, like an orange floral shirt paired with neon pink pants. The men were often shirtless and wearing metal, extravanagant  artifacts reminscent of gladiators or greek warriors. A show juxtaposing the intense masculine warrior look with a warm, feminine floaty world of florals and love. And yet again, we see men in skirts.

I am not sure how wearable the Francis Montesinos menswear is, but it certainly provides a nice complement to what may be a grand womenswear selection. Of course, we aren´t here for womenswear, otherwise the website would be called ¨Best Dressed Woman on the Planet¨and really, it just doesn´t have the same ring to it. So back to the men. Several of them also wore transparent trousers and shirts, but really, is there a point to transparent trousers and shirts? A few of the man wore vests and other items that seemed like a throwback to the bullfighter look, a Spanish torero. Montesinos never misses a beat to add in a little inspìration from his home country, as well as an ode to a ¨Carnival¨style, meaning colors, ruffles and extravagance. And extravagant it was.

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Posted by Lori Zaino and photos by Paloma Canseco.

The MBFW Madrid: Davidelfin AW15/16 collection Inferno was the third collection in the process of three (No One, Time of the Monsters, and now Inferno) which was sort of an end. Kind of a sad ending, one which ends up in hell, I suppose, but since he used the quote “I have been to hell and back. And let me tell you, it was wonderful” said by Louise Bourgeois, perhaps this isn’t truly an ending, only a small stop along the way featuring dark, mysterious looks.

The front row was filled with the usual Spanish celebs, like Rosy de la Palma and Alaska & Mario. A surprise appearance by Canadian singer Michael Buble shocked and excited all the attendees.  Another nice surprise was that almost all the models were men and all the designs really were for men, although Bimba Bose as well as one other female model did walk the runway (in menswear, really).

Nothing fire-ish, however, actually, all the looks were black, and again we see the comeback of the man skirt, and what I’d go as far to even name “The Man Skort” which was an original creation of pants plus a skirt. It takes a certain type of man to wear a skirt, and let me tell you, those men are out there, we’ve spotted the likes of them in Paris, in London, in Tokyo and in Milan, although we’ve yet to spot a man skirt OR man skort in the United States, I think it’s mostly an Asian or European trend.

Utilitarian black jumpsuits, sturdy collars, stiff shirts paired with baggy pants or a “man-skirt/man-skort”, light patterns of grey over the black, and some funky mini backpacks all walked the Delfin runway. The models sported signature black Dr. Marten shoes and boots. A modern and futuristic inferno, if you will. A cold and dreary one, filled with black and grey. And that, my friends, was Davidelfin AW15/16.

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Posted by Lori Zaino and photos by Paloma Canseco.

One entering an Etxeberria show may never know what to expect, except perhaps a bit of fur. Fur there was, and the AW15/16 collection entitled “Roots” was actually phenomenal. I was mentally prepared, after seeing the high neck action in the Roberto Verino show (plus all over the London, Milan and Paris runways….New York yet to see) for the start of the show featuring not one, but FOUR turtleneck, grey sweaters. Wonderful news for all those around the world with cold necks.

It seems as though MBFW Madrid: Etxeberria takes the idea of a dapper, tailored (British-style, of course) suit and then makes it well, cool and trendy. Instead of buttons, these grey “suits” were zipped up, with stripes mixed with plaids, short at the ankle or even trousers tucked into into modern-looking boots/shoes with side laces. Most of the looks were grey (grey is the new black, apparently, and 50 shades of it too) and the grey suits mixed with the bright brown boots actually worked really well. Colorblocking with shades of grey is something I haven’t ever seen, although it’s a rather simple concept, and it 100% worked. Volume around the hips (something we women fear was used to accentuate the silhouettes of the suits, and actually looked pretty good on the straight forward male figure.

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Of course, there was a spattering of female models walking in the show, appropriately dressed in menswear, of course. It wouldn’t be Etxeberria without that hint of fur, sewn into the bottom of the suits or the big finale two-tone fur coat, fit for a king.

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Posted by Lori Zaino and photos by Paloma Canseco.

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Yes dear friends, the fashion news is in and the turtleneck is officially back for men. Here we are at the MBFW Madrid: Roberto Verino show which featured approximately eight menswear looks, a majority of which showcased the early 90’s favorite: the turtleneck.  To be honest, here at BDMOTP we aren’t sure how we feel about it. I suppose when worn right, with a dapper black or grey suit and a tailored wool coat, it could work. It is, of course, a functional “trend” one that keeps your neck warm in the depths of wintery, cold weather; however, how fashionable is it really?

Roberto Verino is clearly concerned about both trend and functional in his AW15/16 collection. The menswear looks were much more debonair than the female looks, not to say more simple or more plain, but perhaps more focused? Trends featured were basic colors like grey, black and navy, turtlenecks, high waisted pants, and plaid suits. In fact, the clothes were very fall in the fact that all the looks were muted and dark. Warm, comfortable wool coats, skinny but not hipster tailored pants gave off an elegant, dressy look. Highlights include a shiny black blazer and instead of buttons, tied with a sash/belt around the waist. The occasional scarf, knit or otherwise, was used to accessorize.

As usually, Roberto Verino did not get crazy his menswear designs nor push the edge of the fashion world limits, but his garments, as we’ve come to expect, are dapper and will make any man look professional, handsome and put together.

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Posted by Lori Zaino and photos by Paloma Canseco.

The Espace Pierre Cardin, the venue for the Songzio show, is just opposite the Elysée Palace – the French white house, and the US Embassy happens to be on the corner of the street. It’s Friday Day IV of Paris Fashion Week and BDMOTP is invited at the Songzio runway show where we are kindly mentioned in the press release as ‘prominent fashion bloggers’. But unbeknownst to us the president of the Fédération Française de la Couture is also watching the show – and that is a very important person during FW in Paris. Not a good moment then for a mishap to take place during the show when a divided runway in the form of a shape of the letter ‘U’ leads to much confusion on the part of the models because the light fixture above the runway is not placed directly overhead. The painful result is models wobbling and drifting across the second leg of the ‘U’ while they approach a second battery of photographers sitting and waiting at the end.  But the photographers cannot get the models straight in their lenses because the light fixture is on the side. OMG! Some of the photographers start calling out loud throughout the show for the models to ‘move over’ – they are professionals after all and earn their living this way. And surely Vogue is not paying for halfway shots. So it’s a bloody mess. Not something monsieur le président would have wanted to see no doubt. And not something he will forget.

But the Songzio’s 15/16 FW collection is refreshing wind of dark but winter-ish air. The show is themed an ‘autumn evening’ but because the creator’s main signature is working with many shades of black (yes, not all shades on the fourth spectrum are shades of grey) the mood comes across as winter rather than fall. No colors here except for on the leather textile prints which appear with leaves or branches, or even with lumps of earth. These do remind of autumn somehow because the colors are beige, raisin, and sierra brown, yet the models wearing these flashback printed leather textiles look like retro superhero assistants out of a forgotten and unknown early sixties TV show – before the age of color so that you just have to imagine the paint into it. Beige, sierra, raisin, and even poison green – in textile patterns of pebbles, checkers, leaves, and twigs. That’s a whole lot for one winter afternoon.

And if that were perhaps all, this story would be finished soon, but this is where Songzio actually takes off and reaches into the unknown because now why NOT both have and wear cigarette pants if you are taking the dangerous route of retro superhero assistants you’d probably ask?  And that is a good question. For cigarette pants – yes those ugly slender & tight double-pipe trousers still popular at the time of the first James Bond – were actually the most remarkable item BDMOTP noticed in the show.  Especially when they are plastered with ugly patterns and feature in an even a more meaningless color. Yuck – camel, orange raisin, and that metallic poison green on scarab in ugly checkers worn as what appears to be a skirt, jeez – it’s bloody brilliant, yes, and one single good look makes up bigtime for all the mishap at the show.

But we are not so sure that monsieur le président will see it that way. He may have a more traditional view of things. But we love it.  This is what we came for.

The remainder of the show was actually very stylish and traditional both in cut & tailoring and was all done exquisitely in those many shades of black – the Songzio signature. It featured wonderfully cut coats, jackets, and suits for men in metallic, jet, scarab, ink, oil, ebony, crow, raven, charcoal, and yes, even in obsidian. But that’s another story. For another day another show. For suffice to say that mishap or no mishap that what we came for was the privilege of witnessing those orange California Raisins leather textile printed cigarette pants. Featured at the Espace Pierre Cardin on a cold and gloomy Friday in the middle of Paris Fashion Week.

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Posted by Sandro Joo and photos by Franz Kennedy.

Often when reading a fashion press release before watching a show or presentation you get away with the feeling that the designer has no clue, or does not know precisely or exactly what is going to be presented in the first case – because there is a grand mélange of colors, materials, ideas, concepts, cuts, and designs that is being brought to the table and spelled out, and it is then up to the fashion critic to make sense of it all, to put it all together in your mind, and to give it direction once things have crystallized on the runway. And so fashion writers go looking for the latest signature, the latest trend, the latest sign, clues, cues, keys, or patterns – analyzing all until a general concept and idea in the clothing line or in the collection are found – and until the press release finally makes sense.

Surprise, surprise then that the Fabio Quaranta W 16 collection we visited in Paris was themed as hodgepodge and a porridge (hey that works almost every time), but that what we actually found was something moving and traditional which seemed to be tightly stuck  to conservative sartorial wisdom, featuring traditional wardrobes of rural peoples (allez les montagnards à Paris), with classic tailoring as proof of conventional values woven into a folk aesthetic of clothes ready for yesteryear and ready for the ages: But with the sullen & perverse post-modern twist that the collection was entirely genderless, androgynous, and made for both women as well as men.

Now of course a pleated skirt is for women one would say, but aye today a real man is supposed to be able to wear the kilts as well.  We suppose! A cassock or a tailcoat should be something for a devout man of stature you say, but does it look good on a woman? Are we really supposed to notice the difference of who is a woman and who is a man? Did not YSL start this shocking trend many years ago when first women were dressed in suits?

As of course in rural and traditional cultures these reflections above are a much settled point and a question which would never be raised, here in the Fabio Quaranta collection W 2016 this was the very theme that caused the press release to talk about ‘porridge’ – meaning the mixing of the sexes in the concept and design of the collection.

Think the traditional wear of the Amish, the Mennonites, old Huguenots, Waldensians, and other very orthodox and often strict religious groups and cultures, but then refashioned and refurbished so that both men and women can all wear the same thing. Think it in traditional wool, in alpaca, velvet, and aye, of course, that heavy woven farmers cloth – which almost looks like rope or sackcloth, but here to be seen in grand assembly and on show and on display being worn by boys who could be girls and girls who could be boys: A grand provocation of course, and a contrast and an opposition of what are traditional values with what some have come to expect to be a modern cosmopolitan life (as a direct result of this show all men can now start braiding their hair on both sides in the traditional and authentic Asterix & Obelix, the Gaulois style, but BDMOTP recommends that you keep a moustache).

So as confusing as the press release was, these are the wholesome trends and signatures for this collection: Genderless, traditional, folkloric, and conventional – with conservative colors (loads of brown) and materials matching the values of the rural peoples and communities of yore. Not all so hodgepodge and porridge (except for the colors maybe) as expected.  A serene type of traditional beauty follows this very worthwhile collection, and BDMOTP hopes that Fabio Quaranta W 16 will take off on city streets where it once left off: On the mountains, in the hills, and in old and forgotten villages…

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Posted by Sandro Joo and photos by Franz Kennedy.

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After 22/4 on Day I of Paris FW 15, this was BDMOTP’s second day coming to the Palais de Tokyo in the 16th arrondissement of Paris on Day II, a venue where several fashion shows are being held. It serves as a great location with plenty of different type of space for runways inside, and is set high up on the hill above the river with the Eiffel Tower serving as a backdrop on the other side of the bridge. Great venue, great location, as the Boris Bidjan Saberi runway show was being held squarely on the mezzanine of the building – a space nothing fancy – but something very professional which we could tell by the light fixtures. Had the ghost of Yves Saint Laurent, the man, shown up in noir et blanc and with some inconspicuous nerd glasses, in other words, no one would have really looked surprised.

The show was good and short, but left a strong image and a strong memory, for here we witnessed the Pilgrim’s Progress, as in some life of the path of the Buddha with young men going EAST looking for James Hilton’s Lost Horizon in search for some latter day Shangri-La walking alone in stealth and solemn procession of orange & carmine (the colors of the Buddha), black & grey, and in camel & beige – but with the tints and hues of what can only be the Sands of Samarkand, because the Silk Road is endless and leads continuously EAST, so that your menswear better resembles an old & rugged Persian carpet, while you carry your sleeping mat upon your back. Could it serve as a flying carpet maybe?  Or so we wondered.

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Mongolian winter hats, trapper-strapping boots, and Middle Kingdom parkas which Marco Polo might have donned when meeting Kubla Khan after several thousand miles of lonely desert road – did cross our imagination momentarily when gazing at the runway, but when looking closely we noticed rubber gloves – in black, orange, and beige – as well as various kitchen aprons worn, the meaning of this latter day urban version of a lonely pilgrim’s journey to the EAST became more clear:

For man(kind) is not lost but we are on a never-ending urban journey ready to lay our heads wherever we may, wherever we can, in order to one day meet at the Middle Kingdom of our cosmopolitan dreams.  For this end we fix our gaze at the horizon with face-paint in black or orange on our stern (sic), and we carry sleeping mats and rubber gloves and aprons and oriental shoulder sacs – with some fruits or nuts inside – so as not to be exposed to the elements on our rigorous and endless journey – our ears and neck well protected by camel & pony shorn Mongolian hats – while we ride the metro, the subway, or a dirty Greyhound bus.

It actually all makes sense with this beautiful collection created by Boris Bidjan Saberi if you think about it, when in the end perhaps you get to meet the great Kubla Kahn.

‘In Xanadu did Kubla Khan a stately pleasure dome decree …’

(Coleridge)

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Posted by Sandro Joo and photos by Franz Kennedy.

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